TechnicalNoteVol.1No.10UseOfThe46120K4671OKAnd4660SystemsinFixedinstaiiationSoundReinforcementIntroduction:anysmallandmediumscalesoundreinforcementapp
JBLTechnicalNote-DangerLowPower电路原理图Tag内容描述:
1、Performance Parameters of JBL Low-Frequency Systems Introduction This technical note will enable sound contractors and consultants to specify JBL LF enclo sures, transducers and packaged systems to fi。
2、Technical Notes Volume 1, Number 7 In-line Stacked Arrays of Flat-front Bi-Radial Horns Introduction: Where excellent vertical pattern control in the 500 Hz range is desired, system designers will usu。
3、Technical Notes Vol. 1, No. 2 70-Volt Distribution Systems Using JBL Industrial Series Loudspeakers Theory of Line Distribution Systems In a typical paging, background music, or noise-masking system, 。
4、Too Little Amplifier Power Can Produce Too Much We occasionally hear of JBL owners who damage the high frequency components of their loudspeaker systems using amplifiers that are rated at less-rather 。
5、Technical Note Vol. 1, No. 10 Use Of The 46120K, 4671 OK, And 4660 Systems in Fixed instaiiation Sound Reinforcement Introduction: For many small and medium scale sound reinforcement applications, pre。
6、Technical Notes, Volume 1 Number 12B Polarity Conventions of JBL Transducers and Systems Introduction: For most of JBLs existence, the company has designed many transducers and systems with a polarity。
7、Technical Notes Volume 1, Number 12 Polarity Conventions o f JBL Transducers and Systems 1. Historical Background: When James B. Lansing left Altec Lansing in 1946 to form what is now known as JBL Inc。
8、Technical Notes Volume 1, Number 13 JBL Concert Series Complete Sound Systems Introduction The JBL Concert Series consists of loudspeaker systems and pre-packaged amplification and loudspeaker signal 。
9、Technical Notes Volume 1 Number 18 Vented Gap Cooling in Low Frequency Transducers Introduction: JBLs ongoing research into low frequency transducer design has led to a new, more efficient method for 。
10、Technical Notes Volume 1, Number 9 Distortion and Power Compression in Low-frequency Transducers 1 Introduction: All too often, consultants and sound contractors are concerned with only the Input powe。
11、Technical Notes Volume 1, Number 16 Power Ratings of JBL Loudspeakers and JBL/UREl Amplifiers Introduction and Scope of this Technical Note: JBL and UREI manufacture both loudspeakers and amplifiers, 。
12、Introduction: The desired performance features for dedicated midrange cone transducers are: 1. Extended power response; rising axial response 2. High electromechanical coupling (high efficiency) 3. Ba。
13、1 Technical Notes Volume 1, Number 29 JBL Precision Directivity PD700 Series Co-Axial Mid/High Speaker Systems Background: In very large fixed installations, such as sports arenas, large houses of wor。
14、Technical Notes Volume I, Number 19 Sub-Bass Systems Using Triple Chamber Bandpass (TCB) Technology: 1. Introduction: Most users of JBL products have a basic knowledge of how a simple ported low-frequ。
15、1 Technical Notes Volume 1, Number 25 Using HLA 4895 modules in arrays: system controller guidelines Introduction: The HLA 4895 3-way module has been designed for use in conjunction with th。
16、Technical Notes Vol. 1, No. 17 Measurement and Interpretation of Loudspeaker Polar Data: A Comparison of JBL Constant Coverage Bi-Radial Horns and EV HP Large Format Horns Introductions Recent polar m。
17、Technical Notes Volume 3, Number 2: JBLs New LSR Mid-Field Monitors 1. Introduction and Basic System Description: As the digital recording community con- templates higher sampling rates and greater re。
18、 1 Technical Notes Volume 1, Number 35 CBT Constant Beamwidth TechnologyTM Introduction Column loudspeakers have become an important form factor for loudspeake。
19、Introduction: JBL/UREIs dual channel amplifiers answer a long standing need for reliable, cost effective designs. They are intended for all applications involving JBL transduc- ers and loudspeaker sys。
20、1 Technical Notes Volume 3, Number 3: JBL Professional Studio Monitors for Multichannel Sound Applications 1. Introduction: Mixing for multichannel sound has become a very important aspect of audio po。