Arcam-C30-pre-sm维修电路原理图.pdf
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1、Service Manual C30 Pre-Ampli er Issue 1.0 ARCAMARCAM Bringing music this supply powers the micro and digital circuits. The primary of the Toroid supply transformer Tx2 is connected to CON3 and the power to this is switched on and off by the relay RLY1. The transformer has a number of secondary outpu
2、ts and we use separate taps and bridge rectifiers networks followed by bulk capacitors to smooth the ripple. The voltages generated are +24V and -24V for the main analogue supplies, +46V for the HT supply to the VFD, and +18V, which is used to power the trigger output. The smoothed +/- 24V then goes
3、 through regulators REG 2 and REG 5 to create +/- 18V this is passed the pre-amplifier PCB via CON4. Another set of regulators REG 3 and REG 6 follow taking the 18V and creating a +/-15V supply that is available for add on modules such as the 7.1 channel input board. A 5v supply is derived via regul
4、ator REG 4 from the 18V to run the headphone amplifier. Mains detect. A mains present detector runs from the standby transformer, this detects the loss of mains using a peak hold circuit based around D7/TR1/DZ1 and TR2. If the power is lost this piece of circuitry sends a flag to the microcontroller
5、 so it can mute the outputs and shut down the unit. See Fig 1 for notes on protection modes. 12v trigger and RC5 receiver. The trigger output on SKT2 is driven through TR4 to provide a current limited supply at around 13V. IC1 A and B are used to demodulate incoming RC5 from socket SKT2. IC1A is a b
6、and-pass filter centred on 36KHz. This is followed by a peak detector circuit that demodulates the incoming signal. Fig 1. Protection and mute mode and measurements. Prot line Measured at. Working reading AC present Resistor R12 +4.5v Mute* Con 8 Pin 5 +4.5v Standby* Resistor R5 at point P18 .7v Tri
7、gger ResistorR10 at point P54 +1.8v Pre-amp input card. Introduction. The pre-amp stage is a high-performance, DC coupled design with microprocessor control of input select, two independent tape loops, electronic volume control and tone bypass. It features a discrete power supply and low- noise line
8、ar circuitry to obtain exceptionally low distortion and noise performance results. Power supply stage The secondary transformer output windings from the main toroid transformer are connected to SK300. The A.C voltage is rectified and smoothed by D300, D301, D306, D307 and C300, C301. The unregulated
9、 voltage should be around +/- 27 V obviously this is dependent on the A.C level at the mains inlet socket; F300 and F301 are the secondary A.C s.m fuses these are rated at 2A. The voltage regulators are discrete emitter followers the +15 voltage stage is described below as the 15 v stage is effectiv
10、ely very similar. Q300 and R300 act as a constant current source, supplying around 7mA into D310. C302 and C314 reduce ripple and broadband noise on the zener diode. Q305 and Q306 form a complementary Darlington NPN transistor, which is configured as an emitter follower producing +15v at its output.
11、 C303 is to provide bulk charge storage and to reduce the AC output impedance of the power supply. D302 prevents reverse bias of the supply during power down. Z301 is a conventional LM317 type circuit to regulate the +15v rail down to +5v for the tone and volume control circuits. Input switching Eac
12、h of the inputs has a pair of diodes to the +/- 15v rails to prevent static spikes from causing damage to the CMOS multiplexors. In addition, there is a simple resistor- capacitor filter with a corner frequency of approximately 340kHz to remove any unwanted high frequency interference from the signa
13、l. This uses high quality WIMA polypropylene capacitors for the best possible performance. Z104 (left) and Z105 (right) are the main input multiplexers, which are configured in a “virtual earth” unity gain arrangement with Z115 and Z116. This is an inverting circuit topology and the phase is correct
14、ed by the inverting volume control. Z115B (left) and Z116B (right) are the integrating servos, which remove any D.C coefficient from the Analogue input switching stages before the signal is passed onto the following stages, R180 and C147 (left) form a filter to remove any broadband noise from the se
15、rvo output and to improve the speed response. Z100 Z103 are the Tape output selectors these are non-inverting and the outputs are again buffered by Z9 a/b and Z10 a/b before arriving at the two tape loop outputs. Z106 is configured as a double pole changeover switch and is used to select the tone co
16、ntrols or direct by pass mode. (See below for more information). Tone controls The tone control stage is non-inverting and uses a gyrating bell filter for the Bass and a simple shelving filter for the high frequencies, the left channel only will be described. The input is attenuated by 6dB and biase
17、d to a voltage of +2.5v D.C by C111, R113, R112, R110, R111 and C110. This is so the signals fall within the 0 5v D.C required by the digital potentiometer Z108. Z111B and its associated components form an active equivalent of a series resonant LCR circuit. This has an impedance minimum 5.4k at arou
18、nd 80. The digital pots Z108D and Z108A control the bass and treble respectively, this accomplished by moving the wiper connected to the frequency-sensitive impedance between to non inverting and inverting terminals of Z112A, effectively changing the ratio of feedback boost and feed forward attenuat
19、ion of the circuit at the desired frequencies, thus providing a EQ gain control that is on a logarithmic scale, with the use of a linear pot. Z112B provides the 6dB of gain necessary to bring the nominal level of signal back to unity C116 and C117 remove the 2.5VDC offset from the output to prevent
20、click and bangs when the tone control are activated. Z108 is controlled by a simple 3-wire serial interface from the microprocessor. Each of the digital lines has its own ground return these are terminated at the GND pin of the chip to minimize any electromagnetic interference. Volume control Z107 i
21、s a VSDVC electronic volume control IC. It works in conjunction with external op- amp Z117a/b by varying the feed-forward and feedback resistors in an inverting gain configuration, the volume control is driven by 3-wire data from the H8 micro on the display board if the control receives no data it w
22、ill remain in Audio mute mode. Relay RLY100 shunts the output of the Op- amps to ground at switch on power down and when switching between inputs. Audio output stages. The Audio output stage contains the buffered, un-buffered and balanced outputs as well as the headphone driver. The audio signal fro
23、m the preamp PCB enters the board on CON100 and the direct signal goes straight to the output via the mute relays RlY100A and RLY101B. A buffered version of the signal is created by IC100 and IC101. IC100 and IC101 are op-amps configured as unity gain non-inverting buffers. The C30 also has a Balanc
24、e XLR output stage that drives into the balanced line drivers IC103 and IC104. These line divers create a transformer-less balanced output. Headphone Output. The selected audio output signal is driven into the headphone driver IC102; this signal then passes through CON101 and CON102 to the headphone
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