Award_sessionaward_sg75_schematic_instructions 电路图 维修原理图.pdf
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1、First designed in 1980, the Sessionette was Sessions first transistor amplifier. It is quite small, roughly the size of a 14” TV and is very loud at 76 watts RMS into a very efficient Celestion G12K 85 100dB speaker and soon gained the reputation of the British Boogie before long, but, was only 199.
2、00 when first launched onto the market in April 1981. Over its life span, it was available in 1x12”, 2x10”, 2x12” and 1x15” formats. Today, the 2x12” version is the most sought after and has become known as “.a Bluesbreaker on steroids” because of its remarkable tonal similarity to that amplifier, b
3、ut with much more overdrive and loudness. It is a dual channel switching combo and is believed to be the first amp of its type with two distinctly separate channels that could be independently set up for different sounds. At that time, Mesa Boogie amplifiers were still dual channels with an A/B box
4、to select between the clean and distortion sounds. It has a single input, a common three band passive EQ of the passive bridged T design and a single main volume control for each channel. There is not a Master Volume. The overdrive Channel A has a gain control to set the depth of the distortion and
5、a Filter control, which is a kind of Tone and operated post distortion. The common three band EQ operated on both channels and was situated pre-distortion with respect to the overdrive channel. However, the EQ Bypass switch on Channel A, enabled the EQ circuit to be bypassed with a flattish response
6、 providing a tonality similar to the Normal channel of a Vox AC30. This enabled the whole range of early guitar amp sounds to be found like. the solo on Rock around the clock and other rock-a-billy sounds. The EQ Bypass tone found favour with many players and became a very strong feature of that amp
7、. The preamp was loaded with four TL072 and one TL071 BiFet operational amplifiers (op-amps). We think this was the first amplifier to use, what was, this very new kind of op- amp. It enables very high input impedances and also very low noise performance. Both crucial to guitar amplification. It is
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